The Art and Utility of Quilting: New Primary Source Set

Quilt made in the crazy quilt style; it has many small pieces of fabric (most solid colors) sticked together with a large diamond shape white piece of fabric in the middle. Inside the diamond is this stitched initials of the recipient ‘SAE’ and small floral accents added around the initials; throughout the quilt there are the names of contributors stitched into the quilt as well. There are many visible embellished stitches on top of the regular stitches, as well as lace and embroidered/stitched designs like flowers, moon, stars, dove, crane, hearts, music notes, and a butterfly.
Contributed to DigitalNC by North Carolina Humanities Council.

Quilting is the process of creating textile-based materials (e.g. blankets, clothing, etc.) and is distinguished by its use of three layers: a top layer of fabric, some type of internal batting (insulating fibrous material), and a back layer of fabric. Techniques include applique, where fabric designs are stitched onto the top layer of fabric; stitch design, where the three layers are stitched together so that the stitching creates designs on the quilt; and patchwork, where pieces of fabric are stitched together to form the top layer of fabric. 

Quilting is a practice of both art and practical skill. Quilts have been used to warm loved ones, display artful technique, and stitch together stories and memories. What we see as an everyday craft uncovers social conditions and lived experiences of those who invested their time into their quilting. This new primary source set aims to provide insight to the experiences of people living in North Carolina, as well as appreciate the craft of quilting in both its artistry and utility. Some of the topics the source set covers is exploring rural life, Black and African American influence, and storytelling through quilts and materials about quilting.

Rural Life

Excerpts from oral history transcription.
Contributed to DigitalNC by Braswell Memorial Library (Rocky Mount, N.C.).

This set contains many quilts and images to examine, but one of the interesting sources is an oral history given by Agnes L. Scott about growing up in rural North Carolina. She shared stories of how quilting played a role in her life and the connections between her and her neighbors due to the practice of quilting. Other sources in the set on rural living share a similar theme of community through quilting.

Black and African American Influence

Here, a quilt created by a member of the Bond-Speller family from Bertie County shows different patterned squares, as well as the influence that Black and African American quilters have had on the practice of quilting. This source and others point out the African influence in American patchwork, specifically regarding color and long, thin strips of patchwork. North Carolina quilts can give plenty of examples of this influence, amongst others.

Excerpt of exhibition program showing a multicolor patchwork quilt. The quilt is a variation on the log cabin style, with asymmetrical designs and use of colors. It is primarily blue, green, white, and block with pops of yellow and red. Included is the caption detailing the piece.
Contributed to DigitalNC by Historic Hope Plantation.

Storytelling

A portion of the history quilt is displayed in a black and white photo, the top layer of the quilt is made into a checkerboard pattern with large squares of fabric, alternating between fabric with white and light colored stripes and dark fabric with very thin lines and small dots and shapes sticked into the dark fabric. On top of the top layer for the quilts are four photos and captions. (1) Pauli Murray shown smiling wide with short hair, glasses, a long necklace with an ornate cross pendant, and wearing a sweater vest with a color block square pattern over the typical episcopal priest collar and long-sleeved shirt. (2) Maggie Axe Wachacha in a grainy photo with a door partially in the background; her hair is pulled back with soft white wisps of hair loose around her face and wearing a white shirt with a prominent collar and lapel and a black jacket or shirt overtop. (3) Elizabeth Avery Colton is shown in a light washed/blurry photo in a short-sleeved light colored dress, hair pulled back, looking slightly off to the side, and resting her hand on a piece of furniture. (4) Dorris Betts is pictured in front of a shelf of books, staged with a book in hand and turned slightly to look at the camera; her hair is pulled up high, and is wearing lipstick, a light colored blouse and cardigan overtop.
Contributed to Digital NC by the North Carolina Humanities Council.

Many stories are told through quilting, from community connections to what life was like for the quilter who created the piece. Some quilts, however, attempt to share an explicit story through the art of quilting. There are examples in this set, like the portion of a quilt shown on the left, that tell stories about history in North Carolina. For the quilt highlighted here, students created a quilt to share about prominent women and feminists in North Carolina’s history.

There are many aspects about life in North Carolina that can be divulged from the sources found in this set, giving us a glimpse into the everyday of people within the state. This primary source set aims to give information not only about the art and practice of quilting, but the lives and experiences of the quilters themselves. Please enjoy learning more about North Carolina history through quilting, and if you are inspired to join in the long history of quilters in the state, then happy quilting!


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