We’ve got another batch of audio materials available thanks to our partner, Wilkes Community College. This set of 16 interviews and oral histories was originally recorded on reel-to-reel tapes, and they span from 1959 to 1979.
One of the recordings in this batch is a retelling of the legend of Tom Dula, popularized in 1959 by The Kingston Trio in their version of the folk song “Tom Dooley.” The general outline of the story is that Dula, upon returning home to Wilkes county after serving in the army of the Confederacy, had a relationship with at least two women, Laura (or Laurie) Foster and Ann Melton. It is suspected that this relationship triangle went bad and that Dula murdered Foster. He then attempted to flee into Tennessee. However, he was arrested and returned to North Carolina, where he was found guilty both by a jury in Iredell county and later by the North Carolina Supreme Court. He was sentenced to death in Statesville and hanged on May 1, 1868, which became the basis for the song.
The version of the story told in this recording (perhaps by Tom Ferguson, though the tape is unclear), also made in 1959, leans more into pastoral genre than other popular accounts. The speaker devotes a great deal of time to describing the home of Dula and his mother, which he says many in the area remember. He describes a lean-to on the side of the house (which he guesses was built around 1850) where Tom Dula stayed. He also describes the house as sitting among “a profusion of honeysuckle and roses.”
However, this account deserves a little bit of scrutiny, since it tends to romanticize and draw from the speaker’s imagination. The storyteller describes Dula as a musician who carried a violin around his neck and who only participated in the Civil War insofar as to entertain his fellow soldiers, though we know he was a member of the 42nd Regiment of the North Carolina Infantry. He also asserts that Dula was handsome and popular with the ladies, which, of course, makes it impossible that he was a “scoundrel” (Ferguson is not a Jane Austen fan, I take it).
In addition to asserting Dula’s innocence, this version of the story describes Foster as an “innocent” girl with a talent for weaving, though author John Foster West asserts that Dula, Foster, and Melton were all infected with syphilis. Sadly, little is recorded about either Foster or Melton, and—perhaps tragically—Foster’s portrait now hangs beside Dula’s in the Tom Dooley Museum.
One final surprising detail about this story is that Dula was represented by none other than former North Carolina Governor and U.S. Senator Zebulon Baird Vance. Though biographer Clement Dowd mentions that Vance did not always prepare well for his cases, the storyteller in this version lauds Vance for coming to Dula’s rescue and attributes the two convictions to the “carpetbaggers” who made up the jury.
In addition to the excellent music reviews and the hottest fashion tips of 1999, the recently uploaded student newspapers from Wilkes Community College offer an insider’s history of the annual music festival MerleFest. MerleFest began in 1988 and honors the memory of Eddy Merle Watson, son of music legend Doc Watson. What started out as a one-time event to fund a garden for people who are blind (Merle Watson Garden of the Senses) is now a huge source of income for the county and region. It is estimated that the “traditional plus” festival brings over $10 million to the region (source: Wilkes Journal-Patriot). Watch the festival grow through the years in these photographs and articles from the newly-digitized Cougar Cry student newspaper.
To view all items from Wilkes Community College, including yearbooks from 1968-1995, click here.
In collaboration with our partners at Wilkes Community College, 50 new recordings, which make up hours of audio history, are now available online! These records, previously carefully maintained on reel-to-reel tape, can now be listened to anywhere, anytime. The recordings, which include several fascinating oral histories, stretch as far back as 1953 and extend to 1980.
Many of these recordings are oral histories, where a longtime local of Wilkes County recounts their lived experience in relation to the area. Interviewers, often in collaboration with Wilkes Community College, would visit the homes of longtime locals and candidly record their stories. Because of this candid nature, some recordings include the natural ambience of birdsong, rustling leaves, or chairs moving — all of which make the listener feel closer and more present to the speaker. These speakers (born as early as 1861!) speak on a variety of subjects relating to life in Wilkes County: topics include Camp Jo Harris, the life of an optometrist, and books read (and enjoyed) by former North Carolina Poet Laureate James Larkin Pearson. Many reflect on the lumber and furniture industry which rose to prominence in the area during the early twentieth century. The opinions and subjects are as varied as the memories and lives of the speakers, which paint a colorful picture of Wilkes County’s past.
If you’re interested in learning even more about the history of the area, you’re in luck! Included in this collection are a series of forums held during the 1970s, which focus on Wilkes County’s previous centuries of histories. Though you may not find much contemporary history in these recordings, its fascinating (and perhaps recursive) to hear historical discussions of history. Several of these forums were held at local high schools, and include discussions between local historians and high school students. The candid recordings often pick up teachers hushing side conversations between students; a nice reminder that the more things change, the more they stay the same.
Besides oral histories, some recordings contain previous radio broadcasts from local stations. These broadcasts often contain advertisements for local businesses, and are about news relevant to the Wilkes County area. A particular standout is a program broadcast by the Lincoln Heights choir, where schoolchildren urge voters to support a bond that would finance underrepresented schools. The program is scored by classical piano music and includes a concert by the school choir, and is just an overall beautiful listen.
You can listen to that broadcast here, or find more of Wilkes County’s history on NC Digital here. Find out more about our partners at Wilkes Community College at their website here.
These oral histories all pertain to the history and citizens of Wilkes County. Topics discussed in the recordings include the history of mills, silvering mirrors, personal stories and family histories, moonshining, fur trading, education, medicine and pharmaceuticals, Fort Defiance restoration, racecar drivers, musicians, and more.
One particularly interesting recording is Cranor Kilby’s interview. In it, he discusses his early life including the first time he made money performing, his favorite instruments, music in his early years, and keeping community songs alive. According to Kilby, there are several songs which seemed to have disappeared over the years. Through his performance of these songs, he keeps them alive for the next generation of North Carolinians and Wilkes County citizens. In the second half of his interview he performs several songs, including “Groundhog,” “Sadie,” and “Turkey Buzzard.”
To learn more about Wilkes Community College, please visit their website.
To listen to more oral histories, please click here.
Watauga County, much like the rest of Appalachian American, has a rich history of old-time music and two of the most prominent musicians from the area were Doc Watson and Frank Proffitt. In these 1964 and 1965 issues of Boone’s Watauga Democrat, we have many articles celebrating their lives and achievements.
Arthel “Doc” Watson (March 3, 1923-May 19, 2012) hails from the small community of Deep Gap, which is about 10 miles east of Boone, and was one of nine children. Despite being blind since infancy, Watson learned to play a variety of instruments at a young age including guitar, banjo, harmonica, and fiddle. By the time of his death Doc had won an astounding seven Grammys but he didn’t release his first solo recording until 1964, at the age of 41. His eponymous debut includes a version of the song Frank Proffitt made famous, Tom Dooley (or Dula), and the two were both featured on the bill for the 1964 Newport Folk Festival.
Frank Proffitt was born June 1, 1913 and would pass away a year after his Newport encounter with Watson on November 24, 1965. Proffitt resided in the north-west portion of Watauga County in Reese, North Carolina and crafted his own instruments in addition to mastering them. In 1937, folklorists Anne and Frank Warner travelled to Western North Carolina, recorded Proffitt’s version of the murder ballad Tom Dula(story told in detail here by our own Sophie Hollis) and passed it on to Alan Lomax. This version would make it into Lomax’s book Folk Song U.S.A. and became a hit in 1958 when the Kingston Trio released a cover titled Tom Dooley. This would greatly increase Proffitt’s popularity as an American folk singer and he would even go on to represent North Carolina at the 1964 New York World’s Fair.
These yearbooks contain class photos, photos of student life, and photos of clubs, sports and activities. Some of the yearbooks contain fun extras like class prophecies, tongue in cheek “last will and testaments” from the senior class, and even the school song! Yearbooks on DigitalNC are fully text searchable, and are a great resource for genealogy.
To see more materials from our partner, Surry Community College, visit their DigitalNC partner page, or take a look at their website.
The following microfilmed newspapers were selected for digitization in 2017-2018. Thanks to supplemental funding from the State Library of North Carolina, we were able to complete more reels than in previous years. Reels were chosen from nominations according to our Criteria for Selecting Newspapers to Digitize from Microfilm.
This blog is maintained by the staff of the North Carolina Digital Heritage Center and features the latest news and highlights from the collections at DigitalNC, an online library of primary sources from organizations across North Carolina.